Identity and cultural expression in Nigerian hip hop
International Business Management, University of Sunderland, London.
Research Article
Magna Scientia Advanced Research and Reviews, 2024, 11(02), 221–228.
Publication history:
Received on 19 June 2024; revised on 26 July 2024; accepted on 29 July 2024
Abstract:
This paper explores the profound influence of vernacular language on the construction of identity and ideology within Nigerian hip hop music. By analyzing the lyrics of prominent Nigerian hip hop artists, the study highlights how artists like Olamide, 9ice, and Tuface utilize Nigerian Pidgin and local dialects such as Yoruba to forge a distinct cultural and national identity. These artists not only celebrate their linguistic heritage but also leverage it as a form of resistance against linguistic and cultural imperialism, promoting a nationalist ideology that resonates deeply with their local audience. The paper argues that the incorporation of vernacular language in Nigerian hip hop goes beyond mere artistic choice; it serves as a critical tool for social and political commentary. This linguistic strategy enables artists to address and critique socio-economic inequalities and political issues, making hip hop a voice for the marginalized. Moreover, the study sheds light on how the use of local dialects and pidgin enhances the accessibility and relatability of the music, thereby strengthening the bond between artists and their audiences. This exploration into the intersection of language, identity, and ideology in Nigerian hip hop not only enriches our understanding of the genre's cultural significance but also underscores the dynamic role of language in shaping artistic and social landscapes. The paper contributes to broader discourses on language policy, cultural expression, and identity politics within the global context of hip hop.
Keywords:
Nigerian Hip Hop; Vernacular language; Cultural Identity; Linguistic imperialism; Nigerian Pidgin
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Copyright © 2024 Author(s) retain the copyright of this article. This article is published under the terms of the Creative Commons Attribution Liscense 4.0